![]() Sarah Reese Brennan, who wrote a novelisation of the first season, recently published a second Winx Saga book, Lighting The Fire, which features an original story set before the events of the first season. "Believing in yourself, empowerment, understanding true friendship, remembering the laugh out moments and of course enjoying the sparkling transformation times."īut what about an extension of Netflix's take on Fate? One possibility is for a spin-off to be made – and there is already a story that could be adapted for the screen. "For all the love you have given to Winx, I am working hard hoping to bring you a top-quality movie where where you can experience the Winx world, embracing once again all the core values of what this iconic brand has meant for you," he added. Will it be live-action or animated? He didn't say. The second big announcement, a "long-time dream" of Staffi's is that a "big budget Winx movie" is also in the works. The first big project is a "brand new CG Winx animated series reboot is going into production." Without going into specifics, Straffi says the new show will "sweep you back to the Winx world." "I am working on many exciting Winx projects in the near future, some of which I take so much joy in sharing with you." Will there be a Fate: The Winx Saga spinoff or movie?Ī post shared by Iginio Straffi Fate has been an exciting adventure, a great achievement, and a hit watched by millions globally, re-confirming the power of the Winx world," Straffi wrote on Thursday, November 3rd. Plus, newly announced franchise plans may have also had an impact on Netflix's decision too, it now turns out. It sounds like those fairies were pretty pricey. This would have seen individual shots at the higher end of this scale." "Fate’s biggest vex scene was the final battle between the fairies and Sebastian. Houghton exclusively explained to Digital Spy that VFX shots for shows like Fate: The Winx Saga can cost anywhere between £500 to £20,000 per shot. "There were all those different elements in a scene that we had to shoot in two or three days on a set and then have green screen elements on top of that." "They have to fly, and then at the end of it, they use their magical powers to blast the villain, who also has a magical effect all over his body. "Their wings aren't just wings," Houghton added. There are a lot of elements to take in and different types of visual effects to be broken down and worked out."Īnd let's not forget that the characters in Fate had wings that needed to be featured, too. Visual effects supervisor for season two, David Houghton, spoke to Cosmopolitan about the costs, explaining: "There are monsters, there are locations and environments, there's all the magical stuff as well. Fate: The Winx Saga cast explain season 2 finale
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